Sunday, 29 April 2012
Second Day Of Shooting
Well this Second day was not fun!! Had to shoot out in the rain and it's very hard to get good recordings of sound when it's pouring down. But I managed best as I could and whatever else we need I'm going to get as foley. I already know that I need to get Fiona's part of the phone call, which I already re-recorded James' part after the shoot before he had to leave. I also got some of the other foley sounds while we were waiting, like the ticking clock and I tried to get an atmos, but it wasn't very good, so James has said he'll try at his house, because I don't have a large enough space for it to sound suitable to our location. We managed to film some of the cutaways we wanted and hopefully they'll be enough. I though the most I learnt from todays shooting was how to best position lighting to get a realistic night time effect. That took a long time I tell you! ^_^ So yea, I think Joeley's gonna go through the footage to start the rough edit and then let me know what extra foley sounds I need to get. I have an idea already what I might need, but then again I think quite alot of the recordings from the days shooting could be useable so we'll have to wait and see.
Saturday, 28 April 2012
First Day Of Shooting
We had our first day shooting today and although it took longer than we thought to do some of the scenes, I think it turned out well. I think we got a good variety of shots for the edit and with the clapper board we used it will make up for the lack of sync sound. It was hard to control both the boom stick and check the levels and operate the marantz so at first Rhys helped me with that but as the day went on I got used to it and I think the sounds kept at the right levels and were pretty clear. We'll see how it goes when James starts to edit them. You can found photos of the day on Natalie's Blog ^_^
Friday, 27 April 2012
Planning
So after our meeting on thursday, all the rest of the paperwork was finished and here they are ^_^
Final Draft of the Script
Shot List
INT. LIVING ROOM – DAY UNSURE OF SCENE
Equipment List
The Storyboard and Schedule can be found on one of my other group members blog, because i'm having trouble uploading them on here.
Final Draft of the Script
FADE IN:
INT. DINING ROOM #1 – DAY
DAUGHTER is layed down on back. She has tears running down her face
and is laying still as if not daring to move. Her FATHER is stood up away from
where she is laying and has the expression of both shock and guilt on his face.
He leaves the room walking out the front door and is followed around by the
eyeline of his DAUGHTER still unmoved on the floor.
As the door shuts cut
to...
INT. DINING ROOM - DAY
FATHER is sitting next to DAUGHTER, on the table are open homework
books. DAUGHTER is writing and FATHER is pointing to a page in a book.
DAUGHTER
(exasperated)
I'll never finish
this! Only a week for planning!
FATHER
(kindly)
Don't worry, we'll
get it done together, flower.
FATHER smiles as he watches DAUGHTER writing.
INT. BEDROOM #2 - DAY
Tracking through the bedroom, we see the bedside table with the
pictures of the family happy in different places, a flower is beside a picture
of the Wife. The camera tracks round to reveal FATHER in his bedroom smoking,
we see him take up the picture of the Wife and look at it lovingly with tears
in his eyes before he puts it down and taking up his pills, rattles them and
sighs before popping off the cap and taking them.
INT. BEDROOM - NIGHT
Fixed camera shot, FATHER paces up and down in room as he is unable to
sleep.
CUT TO:
INT. KITCHEN - NIGHT
FATHER opens fridge and begins to pile up food.
CUT TO:
INT. LIVING ROOM - DAY
DAUGHTER walks into living room with school bag, getting ready for
school. She see's FATHER slumped on sofa asleep, surrounded by wrappers.
Sighing, DAUGHTER drops her school bag and begins to clean up the empty
wrappers; she abandons the task and shakes FATHER awake, he wakes with a jump.
FATHER
(groggily)
Eh? Sorry, I didn't
sleep.
DAUGHTER
(annoyed)
I can see that. I'm
going to school.
DAUGHTER collects her school bag and leaves.
INT. DINING ROOM #3 - DAY
FATHER is sitting by the dining room table in front of two plates of
pasta placed symmetrically on the table with an empty seat opposite him where
someone should be sat. DAUGHTER walks into house through the front door wearing
school bag.
DAUGHTER
Hi dad, I’m
home.
FATHER
(Ecstatically) Hi
flower, I made us dinner, look! Took me a long time. Come on, tuck in! How's
your day been?
DAUGHTER
(Smiles unconvincing)
Well... this is nice. Thanks dad. How are you feeling today? What have you
done? Have you taken your pills?
DAUGHTER takes pills and reaches out to give them to him. He takes
them kindly and puts them next to him.
FATHER
Yes, yeah. Don’t worry
about me flower. I’m more bothered about you.
DAUGHTER
Thanks dad. (Smiles)
It’s nice to see you like this.
They share a smile and carry on eating.
INT. LIVING ROOM - DAY
DAUGHTER brings FATHER a cup of tea, FATHER is sat on sofa beside side
table with vacant expression on face, staring into middle distance. DAUGHTER
tries to offer FATHER the cup of tea but he doesn't respond or acknowledge her
presence so she puts the tea on the side table.
DAUGHTER
(reluctant to bring it up)
It's been a
year…(pause) Shall we go visit mum tomorrow?
FATHER continues to blank DAUGHTER. DAUGHTER leaves, trying to hide
her expression.
CUT TO:
INT. KITCHEN - DAY
Opens with wide shot of kitchen, DAUGHTER is sat on kitchen surface
with head in hands, sobbing is very audible and exaggerated.
I/E. CAR #4 - NIGHT
FATHER is sitting in car staring dreamlessly forward out of the
windscreen. Stays there all evening.
INT. LIVING ROOM - DAY
DAUGHTER is sat reading, FATHER comes in with a bunch of flowers.
FATHER
(happily)
I
bought some flowers to take for mum.
DAUGHTER
(confused)
I
thought you didn't wanna go?
FATHER
Of
course I want to go, flower! Are you coming?
INT. LIVING ROOM/DINING ROOM #5 - DAY
Daughter returns home from school. Her father is sat at the Dining
Room table looking down at the food not eating with a cigarette in his mouth.
DAUGHTER
Dad, I’m
home.
The father looks up
angrily and stands up so fast as to allow his chair to fly back and the table
to move slightly. He marches toward her
FATHER
(Raising voice) Where
have you been? Dinner has been sitting here for 5 minutes now and it's probably
cold, whilst you've been…what? Fucking around outside?!
DAUGHTER
(Trying to cut in) No
dad, I was walking home from school…
FATHER
(interrupting)
Don’t give me that
excuse! You’ve been avoiding coming back because of me haven’t you? You’ve been
trying to keep away from me because you think this condition makes me a freak,
don’t you?
DAUGHTER
No Dad, it's not like
that! I swear, I’m sorry...(Grabs Pills) Look, you need to take your pills.
Father reacts aggressively hitting the pills out of his daughters hand
onto the floor. He pushes forward at her.
FATHER
If you hadn’t of been
so eager to avoid me this wouldn’t have happened you’re just selfish, all you
care about is yourself. You never bothered with anyone else. You'll drive
everyone away from you. Just... (pause) Look at what you did to your mother.
Father pushes his daughter to the ground. She lands in the same
position as described at the start. There is a moment of unfilled silence as
tears stream from her eyes and her father looks at her with a shocked and
guilty face. He then walks from the room and leaves the house through the front
door. She lays still putting her hands to her face and cries. A car is heard
starting and driving off in background.
EXT. BRIDGE #6 - DAY
Father drives up and stops the car. He gets out and walks to the
bridge stepping toward the edge. He lights a cigarette and takes out his wallet
looking at a picture of his daughter and wife together. A tear rolls down his
cheek before he bursts into tears. Shortly after his phone rings, he answers.
DAUGHTER
(Sobbing)
Please come home dad. I'm sorry. I just...
FATHER
(interrupting)
I’m so sorry flower.
(pause) I’m so sorry for everything that's happened…(trails off and hangs up)
Father holds the phone for a moment before putting it away. Still
crying, he puts the picture into his back pocket and flicks his fag over the
side of the bridge. He then steps up to the side of the bridge looking down and
slowly looks up until he is looking directly into the camera.
END
Shot List
(Need
to add a few establishing shots and cutaways during script. Please add where
necessary)
FADE IN:
INT. DINING ROOM #1 – DAY
·
Mid shot of daughters face
panning out straight above her eyeline as she watches Father exit. 10secs cut
by door shutting.
INT. DINING ROOM - DAY
·
Wide shot at Father and
Daughters eyeline level of them at Dining room table. 4secs
·
2 shot from other side of table
(Still at same eyeline) 7secs
·
Close up of Father Saying Don’t
worry, we’ll get it done together flower 3secs
·
Close up of Daughters smiling
back at Father. 2secs
·
Back to 2 shot as they carry on
with work. 3secs
INT. BEDROOM #2 - DAY
·
Tracking shot starting at far
right side of bedside table moving right to left through the pictures and over
to a mid/long shot of Father sat on bed looking at a picture and smoking. Stays
on until he puts down picture. 12secs
·
Cutaway shot of bedside table
as he puts the picture back on it and takes the pill box from the surface.
4secs
·
Cuts back to mid/long shot of
father taking pills. 5secs
·
Static wide shot in corner of
room throughout Fathers different mood swings.
INT. BEDROOM – NIGHT
·
Establishing shot of clock on bedside table (or on wall in bedroom)
the time showing 1.30am focus pulls to father in bed shuffling.
·
Long shot looking straight down
at Father layed in bed trying to get comfortable then sighing and getting
straight out of bed.
·
Mid shot with bed in
background, Father is pacing from right out of shot to left out of shot
repeating this about 3 times.
·
Long shot to other side of
bedroom looking at door as he decides to walk through it.
INT. KITCHEN - NIGHT
·
Shot inside fridge as Father
opens door to get food
·
Mid shot side view of fridge as
Father piles up food in his hands then closes it with his feet and exits toward
Living Room.
INT. LIVING ROOM - DAY
·
Tracking mid shot or over the
shoulder of Daughter walking into room and seeing Father slumped on sofa.
·
2 shot and over the Fathers
shoulder shot as Daughter clears up mess around father and nudges Father.
·
Mid shot of father as he
awakes.
·
Back to 2 Shot as she grabs her
bag and leaves. (door slams in
background)
INT. DINING ROOM #3 - DAY
·
Long shot of front door as
daughter arrives.
·
Long shot down hallway that
Daughter is in as Father appears quickly into the frame.
·
Tracks and pans with daughter
as she walks into the Dining Room
·
2 shot at Dining room table as
they sit and talk.
·
Close up of Father
·
Close up of Daughter
·
Mid shot of Father
·
Mid Shot of Daughter
·
Cutaway shot of pills next to
or on daughters side of the table.
INT. LIVING ROOM - DAY
·
Long shot framing daughter
central but Father in the right side slumped on the sofa as daughter gives
Father a cup of tea
·
Mid shot of Fathers vacant
expression at his eyeline
·
Mid shot as Daughter speaks and
her expression afterward
·
Mid shot of Fathers vacant
expression
·
Back to 2 shot
·
Mid shot as daughter holds back
tears and turns around to exit room
·
Back to mid shot of Father
still with a vacant expression.
INT. KITCHEN - DAY
·
Wide shot of daughter crying on
kitchen surface.
I/E. CAR #4 - NIGHT
·
Establishing night shot looking
up at stars but with trees at bottom of frame
·
Long shot of Father in car
·
Mid shot from back of car
looking out of car windscreen
·
Mid shot inside car looking at
Father dreamlessly staring at nothing.
INT. LIVING ROOM - DAY
·
Mid shot daughter reading at
eyeline
·
Wide shot as Father enters room
with flowers in hand and says line.
·
Mid shot back to daughter
·
Mid shot of father
·
Back to 2 shot
INT. LIVING ROOM/DINING ROOM #5 - DAY
·
Long shot of front door as
daughter arrives.
·
Long shot down hallway that
Daughter is in.
·
Tracks and pans with daughter
as she walks into the Dining Room
·
Wide shot at Dining room table
as father stands up angrily
·
OTS shot of Father as he
marches up to her
·
Mid shot of Father
·
Mid Shot of Daughter
·
Close up of Father
·
Close up of Daughter
·
2 shot as daughter grabs pills
toward pills.
·
OTS shot looking at Father as
he hits pills out of Daughters hand.
·
Close up father as he starts to
push forward at her
·
Handheld 2 shot as Father talks
and pushes daughter to the ground
·
Mid shot low angle from high up
as we follow Daughter fall to the ground
·
Mid shot/reverse shot of both
the reactions in silence starting at Father then at Daughter
·
Back to Father as he leaves the
room at exits.
·
Back to Daughter (Same shot as
opening scene) as we hear the car start and Father drive off
EXT. BRIDGE #6 - DAY
·
Wide shot of car arriving at
entrance to bridge and Father getting out of car, smoking and walking toward bridge
·
Mid/Long shot of him walking
away from camera toward bridge
·
Mid shot tracking in front of
him as he walks and arrives at bridge edge
·
OTS shot of him as he looks
down
·
Wide shot at other side of
bridge looking at him
·
Wide X Long shot from away from
the bridge as he is looking
·
Mid shot as he steps back and
puts his hand into his back pocket
·
Cutaway Close up following his
hand holding his wallet as he opens it and gets out a picture of his Wife and
Daughter together putting his wallet back straight after.
·
Close up High angle looking up
next to where his hand is looking at his expression as a tear runs from his
face
·
Mid shot panning up slightly as
he looks up and bursts into tears maybe handheld
·
Back to Wide shot.
·
Mid shot again as he gets
phonecall and answers it
·
Close up of face whilst he is
talking and looking at picture
·
Cutaway of pic again?
·
Back to mid shot as he puts
down phone and puts pic back into back pocket. Starts to walk forward
·
POV shot as he steps up to edge
looking at feet and then down to bottom of bridge
·
Wide shot at other side of
bridge again
·
Mid shot from him looking down
and examining bottom expressionlessly and then looking up
to the camera for 5secs
END
Equipment List
Name: Rode NT mic
Date from: 27th April 2012
Date to: 30th April 2012
Accessories: XLR Cable
Other: Take elastic bands incase they break inside
Name: Dedo Lighting
Date from: 27th April 2012
Date to: 30th April 2012
Accessories: Mains Cable
Other: Take extension cable
Name: Kino Lighting
Date from: 27th April 2012
Date to: 30th April 2012
Accessories: Mains Cable
Other: Take extension cable
Name: Reflector (Gold and White)
Date from: 27th April 2012
Date to: 30th April 2012
Accessories: None
Other: Will need someone dedicated to holding it in position
Name: Clapperboard
Date from: 27th April 2012
Date to: 30th April 2012
Accessories: Will need paper to write on the information for
clapper
Other: -
Name: Tripod
Date from: 26th April 2012
Date to: 30th April 2012
Accessories: -
Other: -
Name: Audio Technika Rifle mic
Date from: 26th April 2012
Date to: 30th April 2012
Accessories: Battery
Other: Remove battery and run on phantom power
Name: Marantz 661
Date from: 26th April 2012
Date to: 30th April 2012
Accessories: Batteries, XLR
Other: Need larger XLR Cable with boom pole. Make sure phones are switched off
when recording
Name: Boom Pole
Date from: 26th April 2012
Date to: 30th April 2012
Accessories: -
Other: Need elastic bands to reduce unwanted noise
Name: Canon EOS 550d DSLR
Date from: -
Date to: -
Accessories: Batteries, Lenses (15-35mm, 50mm), SD Cards
Other: Take battery charger
Name: Shoulder Rig
Date from: -
Date to: -
Accessories: -
Other: -
Name: Tie Clip mic
Date from: -
Date to: -
Accessories: -
The Storyboard and Schedule can be found on one of my other group members blog, because i'm having trouble uploading them on here.
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